The Artist

“My work centres on the quiet tension between fragility and endurance—the elegance of nature, and its relentless ability to adapt and survive in the wake of human impact.”

Katie Ford Sculptor smiling at the viewer with an in-process spot prawn sculpture in the vise in front of her.

Katie is an award-winning metal sculptor based out of Salt Spring Island. Her work is primarily inspired by the flora and fauna of the west coast, with the topic of conservation being at the forefront of her message.

Katie found her love for metalworking after enrolling in the welding program at Vancouver Island University in 2013. She became a certified welder and went on to work locally as well as overseas as an industrial metalworker. Katie expanded her creative horizons, learning the arts of blacksmithing and bronze casting in the Sculptural Metal Program at Kootenay School of the Arts, Nelson, BC. She now has over a decade of experience as a professional metalworker both in industry and the arts.

Katie's work is available for viewing and purchase at Gallery 8 on Salt Spring Island and Nova Gallery on Gabriola Island.

Katie Ford Sculptor as a young child in 90's clothes and a lifejacket, colourful hat and sunglasses holding a juicebox in one hand and a kitkat bar in the other.

Early Life

Katie had a unique upbringing, deeply entangled in the marine world from a very young age. As the daughter of a whale biologist, she grew up immersed in the rhythms of the Pacific, spending spring, summer, and fall aboard the family research vessel in the waters of northern Vancouver Island — particularly Johnstone Strait and near Port Hardy — where days were shaped by the search for killer whales and other marine life.

Living so closely with the ocean instilled a deep reverence for the natural world and a lasting commitment to ocean conservation. The vastness of the sea, the quiet patience required to wait for a dorsal fin to surface, and the raw presence of wild animals left a permanent mark on her perspective.

From an early age, she was drawn to making. She filled sketchbooks with whales and marine forms, and wrote songs to play on a homemade Kleenex box ukulele. Creativity was never separate from her environment — it was a way of understanding it, honoring it, and staying connected to the wild places that shaped her.

photo taken from a whale research boat overlooking nanaimo harnour and killer whale orca in the background near Newcastle Island. John Ford whale biologist stands on the bow of the boat ready to collect specimens from a feeding.
Katie Ford sits on a sailboat with a sketchbook in hand.
Katie stands in a welding booth in welding school

Education & Early Career

Katie is crouched in an excavator bucket with a stick welder in hand wearing a respirator ready to weld.

After high school, Katie made a decision that surprised even her — she enrolled in the welding program at Vancouver Island University without ever having struck an arc. She didn’t know the terminology, the tools, or the trade. She just knew she wanted to work with fire and build things with her hands. That instinct was enough.

She was the only woman in a class of thirty-seven. The environment was technical and structured, but whenever she finished her assigned projects, she would stay in her booth and quietly weld small sculptures. It wasn’t part of the curriculum, and eventually she was caught by her instructor. Sculpting was deemed a “waste of materials”. Still, those stolen hours made something clear: fabrication was a skill, but sculpture was the calling.

After graduating, she worked in a machine shop in North Vancouver, learning precision and discipline. She later joined Crescent Moon Forge & Ironworks, where she was introduced to blacksmithing. The forge felt different — older, slower, more alive. She began staying late after work to experiment, shaping hot steel into sculptural forms long after her shift had ended.

Wanting to fully commit to art, she enrolled in the Sculptural Metal program at Kootenay Studio Arts in Nelson, BC, studying blacksmithing and bronze casting. The training gave her both technical depth and creative clarity.

Katie stands in a room holding sculptures above lime green liquid as part of the bronze casting process in school

Building Whale Skeletons

a welder stands at the front of a whale skeleton, welding with sparks flying

After graduating, she returned to the coast, hungry for salt air and open water. In Victoria, she worked as an artist blacksmith and built a sculpture studio out of a rusted sheet-metal shed behind her rental house — cold in winter, hot in summer, but entirely her own.

In 2018, she moved to Salt Spring Island to fabricate and assemble whale skeleton armatures for museums around the world. Many of the skeletons she helped build were displayed at the Whale Interpretive Centre in Telegraph Cove before it tragically burned down in 2025. She continues to work on skeleton projects, participating in every step — from collecting bones along remote beaches to installing fully articulated whales.

When she wasn’t building skeletons, she worked in a local bronze foundry, helping cast and finish other artists’ sculptures. Each role sharpened her technical skill, but more importantly, each one deepened her relationship to metal as both material and meaning.

Today, Katie runs a well-established studio on Salt Spring Island, with roots that run deep in the community. Her sculptures are available at Gallery 8 and Nova Gallery. She has also co-founded Finback Forge, crafting culinary wares alongside her friend Jeri Sparshu of Thistle Rock Forge — an extension of her love for forging that brings functional beauty into everyday life.

Two people are working on putting together a Bigg's killer whale skeleton at the whale interpretive centre in telegraph cove british columbia.
Katie and Mike deRoos stand over a dead fin whale, in process of removing the skeleton.
hand crafted carbon steel skillet on a wood background